Centre for the Study of the Art and Antiques Market

About the Centre

The Centre for the Study for the Art and Antiques Market at the University of Leeds is the first research centre with a specific focus on the study of the history of the trade in art and antiques. Read more…


Inaugural Conference ‘Private Collecting and Public Display: Art Markets and Museums’

Frederick MacKenzie, The National Gallery when at Mr J.J. Angerstein's House, Pall Mall, 1824-34, © Victoria and Albert Museum, London

Conference Dates: 30 - 31 March, 2017

This two-day conference hosted under the Centre for the Study of the Art and Antiques Market investigated the relationships between ‘private’ collections of art (fine art, decorative art and antiquities), and the changing dynamics of their display in ‘public’ exhibitions and museums.

We were delighted to present Dr. Susanna Avery-Quash, Senior Research Curator (History of Collecting) at the National Gallery, London as our keynote speaker.

The Centre's PGR subcommittee responsible for organising the conference included Caroline McCaffrey-Howarth, Anna Reeve, Shir Kochavi and Heather Findling.

For a detailed summary of the conference roundtable, please click on the following link

Click Here

Research Interests

The Centre is a research hub for interdisciplinary study of the markets for art and antiques.

The interdisciplinary nature of the Centre is reflected by a ‘community of interests’, and includes academics (from various schools and faculties at the University of Leeds, as well as other universities and institutions); students (UG, TPG and PGR); archivists, museum professionals and art and antique market professionals.


Perspectives on the Art Market No.XXI

Perspectives on the Art Market Open Lecture Series No.XXI 'Making Memories: Victorian Women Collectors and their Strategies of Commemoration' Anna Reeve PhD Candidate Centre for the Study of the Art & Antiques Market Liberty Building, Rom G.33 Monday 19th November 2018, 3.30pm-4.30pm ALL WELCOME

Perspectives on the Art Market

                                                                                                                                      ‘PERSPECTIVES ON THE ART MARKET’ Open Lecture Series No. XX C.T. Loo (1880-1957), Dealer in Chinese Works of Art. Photograph Getty Images                                                                                                        “The Neuro-psychology of Art Collecting: What the Eli Lilly/C.T. Loo Story Tells Us”                                                                                                                                                           Shirley M. Mueller, MD.                                                                                                                                      IUSM Associate Professor of Neurology (ret.)                                                                                                                                    ROGER STEVENS Building, Lecture Theatre 01 (7.01)                                                                                                                                                    MONDAY 12th November 2018                                                                                                                                                              2.30pm-3.30pm

Contemporary & Historic Issues No.III

Contemporary & Historic Issues in the Art Market MONDAY 22nd October 2018: 5.00pm-6.00pm Liberty Building G.32 ‘The Dematerialisation of Art and the Rematerialisation of Value?’ Banksy ‘Girl with a Red Balloon’ Sotheby’s, London. Photo Sotheby’s/New York Times The third in our ‘informal’ occasional research seminar series focused on Contemporary & Historic Issues in the Art Market, organised by the Centre for the Study of the Art & Antiques Market (CSAAM)

Workshop – Tools for the Future: researching art market practices from past to present

Call for Papers - 'Tools for the Future: researching art market practices from past to present' - an international workshop organised by HKU University of the Arts, Utrecht, University Paul Valery, Montpellier, IESA, Paris and IHS, London.  
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