Following the successful finding of the early 18th century delftware plate in the ‘Where is it Now?’ theme in the Phillips of Hitchin archive, we have posted another 6 photographs of objects from the archive in the ‘Where is it Now?’ pages; do click on the relevant tab in the tool bar on the CSAAM website above to see them all.
Registration Now Live for Conference: ‘Private Collecting and Public Display: Art Markets and Museums’
As part of the various projects we are planning for the rich potential that the various Antique Dealer archives we have developed a project called ‘Where is it Now?’. You can follow the project by clicking on the ‘Where is it Now?’ tab, above, on the Centre for the Study of the Art and Antiques Market. We are identifying photographs of objects in some of the archive photograph albums in the Phillips of Hitchin archive in the hope that we can make connections with them again in their current locations, whether that be in public museums, private and other collections, if indeed they still exist.
The first of what we hope will be scores of objects in the ‘Where is it Now?’ project is this Lambeth (London) delftware plate, dated 1717. It was with Phillips of Hitchin from around 1900 or so (we don’t yet have an accurate date for the photograph), but if you know where it is now we would be very interested to know.
Do keep your eye on the ‘Where is it Now? pages on the Centre website.
Museum Culture and the Art Market: Private Collecting and Public Responsibility it in the Contemporary Artworld
The objective of this PhD studentship is to investigate connections between public museum practices, private collecting, and art market activity in the contemporary artworld. Questions concerning the social functions of collecting have become acute in light of the significant rise in the number of high net worth collectors in the global art market over the past decade. This project proposes an examination of the extension of collector influence beyond the traditional boundaries of the art market, including, but not limited to, the establishment of institutions that compete with public museums. By enquiring into the social goods and powers derived from private collecting, this project seeks to provide a better understanding of the public responsibilities of individuals who are shaping the exhibition practices and trajectories of the contemporary artworld.
On Monday 28th November we are showing the documentary ‘Sold! Inside the world’s biggest auction house’ as part of a critical investigation of the art market. Please do join the art market students for a viewing, commentary and discussion on this documentary.
Documentary showing – Chemistry Lecture Theatre E G.76 on MONDAY 28th November, 3.00pm-4.30pm. All Welcome.
‘PERSPECTIVES ON THE ART MARKET’
Open Lecture Series No. XVIII
The Picture Gallery, The Bowes Museum, c.1900: Photograph courtesy of The Bowes Museum
School of Fine Art, History of Art and Cultural Studies
University of Leeds
Centre for the Study of the Art & Antiques Market
‘The ones that got away’ – Old Master Paintings rejected by the collector John Bowes (1811-1885)
Dr Howard Coutts
Curator of Decorative Art, The Bowes Museum
Clothworkers North LT 2.31
On MONDAY 21st November 2016
For further information on this Lecture Series please email
Dr Mark Westgarth email@example.com
All this week ( August 22nd-26th) we have been cleaning and cataloguing the Phillips of Hitchin antique dealer archives at the Brotherton Library Special Collections (BLSC). Thanks to the BLSC and our small team of enthusiastic volunteers we have managed to make excellent progress on getting this important archive open to the public. Here are the team of volunteers and BLSC staff working hard on cleaning the archive.
A one-day workshop on Tuesday 17 May 2016 at The Treasures Gallery, University of Leeds & Temple Newsam House, Leeds
This event aims to start Conversation between Archives, People and Objects by bringing together some materials from the key Antique Dealer Archives that have been donated to the Brotherton Library Special Collections, into a dialogue with People and Objects associated with the archive. It is an opportunity for an interdisciplinary discussion, bringing together antique dealers, museum professionals, students, members of the general public and academics.
10.30am – The Treasures Gallery, Parkinson Building, The University of Leeds: ‘Antique Dealer Archives’ – a presentation on antique dealer archives, together with informal discussion on some examples of archive material from the Brotherton.
12.30pm – Lunch for all participants – networking and discussion.
1.45pm – Coach from University of Leeds to Temple Newsam House (for all participants)
2.00pm – Objects, Archives, People – Hidden History Tours of Temple Newsam House collections – bringing objects, archives, and people, together in Conversation.
4.00pm – Close – coach back to University of Leeds, arriving at c.4.30pm.
The workshop is free but booking is essential. Please book your place here.
This event is organised by The Centre for the Study for the Art and Antiques Market at the University of Leeds. It is the first research centre, both nationally and internationally, with a specific focus on the study of the history of the trade in both art and antiques.
Image: Blairman & Sons, London, stand at Grosvenor House Antiques Fair 1950
This entry was posted in Events.
Creating The Bowes Museum: private collecting, public philanthropy and the art market in the public art museum in Britain and France 1830-1900
The School of Fine Art, History of Art & Cultural Studies at the University of Leeds and The Bowes Museum are pleased to announce a funded studentship for doctoral research, awarded under the AHRC’s Collaborative Doctoral Partnership Scheme.
The Bowes Museum is a world-leading museum of essentially French fine and decorative art from the period 1500-1870, housed in an extraordinary ‘French Chateau’ constructed 1869-76 and located in County Durham at Barnard Castle. The collections were assembled by John Bowes in Britain and France, starting in the 1830s, and consolidated later from the 1850s with his wife Josephine, as a private endeavour, before John and Josephine made a deliberate and self-conscious decision to reshape their collecting activities and establish a public art museum in the early 1860s.
This shift from ‘private’ to ‘public’ involved a range of cultural, social, economic and political dynamics as they recalibrated their collecting objectives and activities, together with their patronage of contemporary artists, moving from the assembly of objects primarily shaped by personal taste to more systematic and ‘public-spirited’ collecting. This shift from ‘private’ to ‘public’ involved an increasing engagement with the discourses of a nascent art history and the evolving structures of the art market.
The proposed research project offers a unique opportunity to investigate the development of a key private-public collection as it evolved within critical cultural dialogs between Britain and France in the middle decades of the 19th century. Set against ideas of the political economy grounded in competitive notions of ‘taste’ and the perceived role and function of public art museums, the project will explore the relationships between private collecting, the art market and the development of public museums in the 19th century.
This PhD research project will utilise previously unexplored archive materials now made available following a major £12 million capital investment programme at the Bowes. The archives at the Bowes include a remarkable collection of bills, dealers’ letters and auction catalogues and an extensive range of personal correspondence of John and Josephine Bowes on their collecting and patronage activities in Britain and France, as well as documents relating to the designs for the museum and its proposed organisation.
It is envisaged that the preliminary research activities will also underpin the development of an exhibition and interpretation material and publicity in celebration of the 125th anniversary of the opening of The Bowes Museum in 2017.
This studentship will be supervised by Dr Mark Westgarth, University of Leeds, and Dr Jane Whittaker and Dr Howard Coutts at The Bowes Museum. This full time studentship is funded for three and a half years at standard AHRC rates and will begin on 1 October 2016.
The closing date for applications is 5pm on 31 May 2016.
Interviews will be held on 13 June.